In this interesting feature from the NYT, filmmakers discuss technique in the context of a particular scene.  Darren Aronofsky plays with mirrors, Kathryn Bigelow shoots explosive close-ups and Lars von Trier moves seamlessly from his dogma-era hand-held camera to brain surgery using computer animation.  Catch insider details on the making of ‘Black Swan’, ‘The Hurt Locker’, ‘Antichrist’, ‘The Fighter’, ‘127 hours’ and 30 others.

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s